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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one important plot development, but it leads to a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film releases in British and Irish cinemas from 17 November.

The writer

Nicole Miller

A fashion industry expert and streetwear aficionado with over a decade of experience covering luxury brands and urban style trends.

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